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Pat Garrett & Billy the Kid (Sdtk)
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Originally Released: 1973
Discs: 1
Label: Columbia (USA)
Item Number: SNY324602
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Pat Garrett & Billy the Kid (Sdtk)
Track Listings
  Title
Listen
1.    Billy (Main Title Theme)
2.    Workin' For the Law (Cantina Theme)
3.    Billy 1
4.    Bunkhouse Theme
5.    River Theme
6.    Turkey Chase
7.    Knockin' on Heaven's Door
8.    Final Theme
9.    Billy 4
10.    Billy 7
Personnel: Bob Dylan (vocals, guitar, harmonica); Donna Weiss, Priscilla Jones-Campbell, Brenda Patterson, Byron Berline (vocals); Roger McGuinn, Carol Hunter (guitar); Bruce Langhorne (acoustic guitar); Jolly Roger (banjo); Fred Katz, Ted Michel (cello); Gary Foster (flute, recorder); Carl Fortina (harmonium); Terry Paul, Booker T (bass instrument); Jim Keltner (drums); Russ Kunkel (bongos, tambourine).

Even though it contains the classic rock standard "Knocking on Heaven's Door," PAT GARRETT & BILLY THE KID is one of Dylan's least-known albums. Recorded as the soundtrack to the surreal, somewhat violent Sam Peckinpah Western in which Dylan co-starred, the album consists mainly of reflective, rustic instrumentals. Of the two songs with vocals, "Billy" is a compelling outlaw narrative, complete with earnestly strummed acoustic guitars and Dylan's wheezing harmonica, while the epic, ominous "Knocking On Heaven's Door" is a rock masterpiece that evokes the wide-open space and desolation of the Old West.

Though the remainder of the album is devoted to instrumentals, tracks like the delicate, wistful "River Theme" are impressive in their own understated way. Backed by Byrds' guitarist Roger McGuinn and an assortment of top-drawer West Coast session players, Dylan created a moody, mythic musical landscape on PAT GARRETT & BILLY THE KID. It was one of his last albums to capture the restless spirit and otherworldly feel of his classic sixties recordings.

Entertainment Weekly (10/12/01, p.32) - Ranked #22 in EW's "100 Best Movie Soundtracks" - "...Dylan's soundtrack has much to offer: spunky bluegrass and spare, acoustic instrumentals that conjure up whore-filled cantinas and the deaths of both Billy and the Old West itself."


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